“Sherlock Holmes: Discovering the Border Burghs and, By Deduction, the Brig Bazaar”.“Evaluating empiricism in ethics, considering Hume and Levinas”.“Explaining psychologism, considering Husserl”.“Language as a Public Manifestation of Thought”.Aristotle’s syllogism and scientific knowledge.“The Value of Truth in History and Myth”. “How to Guerilla Publish: or, The Basic Gist of It All”.Superheroes: An Analysis of Popular Culture’s Modern Myths.Fawning, Fear, and Frustration: A Collection of Teenage Poetry from the 90s.Vester Vade Mecum: A Collection of Short Fiction.Narrative, Nature, and the ‘Cock’ and ‘Bull’ Story: The Lockean Tristram Shandy and the Modern Novel.Quodlibets, Lately Come over from New Britaniola, Old Newfoundland.A Strange Manuscript Found in a Copper Cylinder.The True Story of the Three Billy Goats Gruff: The Troll’s Side of the Story.
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To say that this is a novella only about this merely scratches the surface. What I loved even more this book, is the exploration of the nature of war – how they begin and how you can try to end them. The Binti Series is certainly one of them. I love series that build upon each other, because they increase in depth and force. All of these elements from the very beginning of the series come together in this stunning conclusion. So this would be the grand concluding book that would seal my love for it. I find with each Binti sequel, I love the series even more. Once again it is up to Binti, and her intriguing new friend Mwinyi, to intervene–though the elders of her people do not entirely trust her motives–and try to prevent a war that could wipe out her people, once and for all. Unfortunately, although her people are peaceful on the whole, the same cannot be said for the Khoush, who fan the flames of their ancient rivalry with the Meduse.įar from her village when the conflicts start, Binti hurries home, but anger and resentment has already claimed the lives of many close to her. Summaryīinti has returned to her home planet, believing that the violence of the Meduse has been left behind. It is nuanced, full of the characters we love, and absolutely heart wrenching. I have been consistently pleased and awed by the wonderful Binti Series and The Night Masquerade is no exception. One day I hope to fasten them end to end in a half-mile streamer, to float in the wind like a banner raised to the glory of friendship. A couple of lines or eight pages, a Middle Eastern stamp or a suburban postmark. Capturing the moment, these small slices of life, these small gusts of happiness, move me more deeply than all the rest. Other letters simply relate the small events that punctuate the passage of time: roses picked at dusk, the laziness of a rainy Sunday, a child crying himself to sleep. Had I been blind and deaf, or does it take the harsh light of disaster to show a person's true nature? Their small talk has masked hidden depths. And by a curious reversal, the people who focus most closely on these fundamental questions tend to be people I had known only superficially. Some of them are serious in tone, discussing the meaning of life, invoking the supremacy of the soul, the mystery of every existence. They are opened for me, unfolded, and spread out before my eyes in a daily ritual that gives the arrival of the mail the character of a hushed and holy ceremony. It makes it a little difficult for all their friends, but they’ve been doing it for a while now. They had one hot romp at the club and have been trying to avoid each other since. We meet Asher (Ghost) and Natalie in Friend-Zoned. I just loved this one! Even better than the first! look no further! This is how its done people! The perfect combination of romance, sex, humor, drama. I absolutely adore this series! To anyone looking for a perfect contemporary romance. With a creative imagination she never knew she harbored.īelle Aurora is a USA Today best-selling author. Friend-Zoned began to form and in February this year Belle typed the words Chapter One. It had never interested her until recently. Belle has been known to become a screeching banshee while anxiously awaiting their newest titles.īelle never thought she would write. So many authors had opened a brand new world where she could lose herself yet feel safe and at home in their stories. Only some years ago had she discovered a new love. Having been brought up in a loud and boisterous family of Croatian descent, she developed a natural love for dramatics and laughter. She stumbled across Sandra Brown’s Breath of Scandal and fell in love with romance. Boredom one summer had her scouring the bookshelves at home. Belle Aurora is thirty-something year old and was born in the land down under.Īt an early age she fell in love with reading. I wish I had a more straightforward process, but I’ve had to accept that this is just how I write.ĭid you have to overcome any fears that first time you sat down to write? I tend to start a bunch of projects that I scrap before I get to one I really like. After I finish the draft, the self-editing and official editing process usually takes about a year.ĭo you work on one project at a time, or are you a multi-tasker? I usually don’t start a first draft, though, until I’ve already gone through a string of failed ideas. So, anywhere from 10 days to a month on average Skeleton Tree took two weeks. If we’re talking first drafts, then I have to write those fast, before the idea gets stale. How long does it typically take you to write a novel, start to finish? Now that I have to turn in proposals before getting started on a longer project, I’m learning to love the art of outlining, but at heart I think I prefer discovery writing. Worlds where bad things happen, but also worlds where magic lives and people always find the courage to overcome.Ĭurrently, I’d say I’m a Planner with the soul of a Pantser. Kimberly believes that fiction is more true than true, and so she write worlds she wants to live in. Today's guest or the SAT (Successful Author Talk) is Kimberly Ventrella, author of THE SKELETON TREE. Eventually, the friend stops calling the protagonist by the wrong name, but the protagonist doesn’t forget this. The protagonist knows that her friend makes this mistake because the housekeeper is the only other black person in her life, but neither of them mention this. She determines that it’s either because her teacher doesn’t care about cheating or, worse, because she never truly saw the protagonist sitting there in the first place.Ĭontinuing to detail the experiences of this unnamed protagonist, Rankine narrates an instance later in the young woman’s life, when her friend frequently calls her by the name of her own housekeeper. Even though it will be obvious that the girl behind her is cheating, the protagonist obliges by leaning over, wondering all the while why her teacher hasn’t noticed. It begins by introducing an unnamed black protagonist, whom Rankine refers to as “you.” A child, this character is sitting in class one day when the white girl sitting behind her quietly asks her to lean over so she can copy her test answers. A mixed-media collection of vignettes, poems, photographs, and reproductions of various forms of visual art, Citizen floats in and out of a multiple topics and perspectives. Miss Pettigrew has her first taste of alcohol, is given a fashionable makeover and is deliciously shocked by the affairs of Miss LaFosse, who cannot choose between three men. A governess named Miss Pettigrew is accidentally sent to the wrong address by her employment agency and is immediately drawn into the glamorous world of nightclub singer Miss LaFosse. Actually it’s quite silly anyhow, but I’m sure that when it was first published in 1938, it provided amusing escapism from worries about war on the horizon. The story would be too silly without this context. We are told early on that ‘her weekly orgy at the cinema’ is her one extravagance in an otherwise dull existence. I have a theory about this book: the story is one long daydream or hallucination of the prim middle-aged Miss Pettigrew, who has watched too many romantic movies. Jerk was about an older man from the Windrush generation. This was followed by Denai Moore's "Trickle" in 2017 as well as Allen-Miller's first short film Jerk in 2018. This was followed by further gigs with Saatchi & Saatchi and Mother.Īllen-Miller directed her first music video for Salute's "Storm" in the aftermath of the 2016 EU referendum and made it a celebration of immigration. Allen-Miller left her stable job to form a creative duo with school friend and copywriter Lisa Turner-Wray, submitting portfolios to agencies and landing their first advertising gig with Anomaly in October 2014. Career Īllen-Miller worked as an agent for artists and photographers, and then in art buying and creative production. She began her studies in Illustration at Camberwell College of Arts, but dropped out. She moved to Brixton, South London at the age of twelve where she attended the BRIT School in Croydon. She has two younger sisters and one younger brother. She is known for her feature directorial debut Rye Lane (2023).Īllen-Miller was born in Manchester and spent her early childhood in Moss Side. Raine India Allen-Miller (born September 1989) is a British film director and writer. She is also working on a PhD in Renaissance Studies. She is now working as a teacher in various secondary schools in the Paris area, and has been lecturing in American and British literature at the Sorbonne for the past seven years. She attended various schools, including Princeton University, the School of Oriental Languages and the Sorbonne, where she obtained a Masters degree and an agregation in English. Her mother is a painter, and her father a famous French academic. About the Author Laura Hargrove Schneilin is a young Franco-American woman, presently living and working in Paris, who has spent time in London and lived several years in the United States. "Love in, Love out", the second part, is a reflection on ever-changing love, tragic or ridiculous, violent or tender, where hope can be shattered but forgiveness ultimately triumphs. In the first part, "Fractures", the changes of seasons, the beauty of nature, the biting pain of human indifference, are described with bittersweet lyricism. Divided into two parts, 'Broken Syntax' possesses the hallmark of an "unquiet mind". The writing is deceptively simple and unsophisticated, allowing words to achieve their fullest impact. It carries the seeds of rebirth, yet also the melancholy of what most are never meant to see. Description 'Broken Syntax' was written over a period of a year and a half, after a lengthy hospitalisation. Williams also examines other equally enthralling cephalopods, including the octopus and the cuttlefish, and explores their otherworldly abilities, such as camouflage and bioluminescence. More than just calamari, squid species are fascinatingly odd creatures, with much to teach us about our own species, not to mention the obsessive interest so many of us can't help but have for the enormous beast that is the giant squid, which is quick to attack sperm whales, and even submarines and boats. In Kraken: The Curious, Exciting, and Slightly Disturbing Science of Squid, journalist Wendy Williams introduces one of the ocean’s most charismatic, monstrous, enigmatic, and curious inhabitants: the squid. The ocean is the last remaining source of profound mystery and discovery on Earth with eighty percent of it still largely unexplored thus, it is of perennial fascination. The enthralling examination of one of the most popular and most intriguing animals in the deep blue sea |